This is Southland Tales just like Tales from Southern California, yet an alternative California, where by Dwayne Johnson (The Rock) is an action star turned prophet, Justin Timberlake is a veteran of Iraq, Sean William Scott is in reality a pair of twins, along with Sarah Michelle Gellar is a adult porn star known as Krysta Now. “No-one rocks like Krysta Now.” Or so we are informed. You never actually see her and she is more than welcome.

However the film does not try to pander to the kind of audience who wish to see a flash. Basically, it does not pander to anyone. It is by far and away essentially the most experimental movie to leave Hollywood in recent times, if you discount David Lynch.

First of all, the film version of Southland Tales is really chapters four, five and six. Hey if Star Wars did it… The first three chapters are found in the Southland Tales graphic novel, which actually makes more sense in itself and of the motion picture in general, explaining the different concepts behind the film, whereas the movie itself drops the viewers in the center of a world that is far removed from the one we all live in.

There is wi-fi energy referred to as Fluid Karma, a screenplay written while intoxicated by drugs that predicts the End Of Days, as well as freaky time travelling. So, all you could would expect from the brains behind Donnie Darko.

The film is a mess, however an appealing one. The main disconnected plot is concerned with the enigma that is the Book Of Revelations within the Bible, and also you could view this as its modern cinematic counterpart. A few view Revelations like a puzzle to be solved, made up of a code to be dissected. Richard Kelly’s motion picture is attempting to push this, using the graphic novel and the movie’s website to further the story and the puzzling plotlines within, quite literally forcing the audience to actively seek it out, or, as many people did, walk out of the movie theater.

Although this cross-media, story/puzzle thing is really a bold move, the film should stand on its own legs, which, sadly, it does not. It’s weird and wonderful, irritating and infuriating, littered with fantastic performances and godawful ones. It’ll without doubt follow Darko in being a cult film, particularly on Blu-ray.

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After 4 decades of battling the bad guys, Hasbro’s own personal American hero, G.I. Joe, is finally coming home – in the form of his initial full length CGI feature film on DVD.

During “G.I. Joe: Valor Vs. Venom,” brought to you by Paramount Home Entertainment and Hasbro, the widely accepted character sets out to protect the planet from total devastation. Once more he faces off against the evil Cobra, who may have unleashed an army of unstoppable troops with brutal battle skills.

The leader of the formidable army is none other than the notorious Venomous Maximus, a beast made using the DNA of G.I. Joe’s own Commander, General “Hawk” Abernathy, in addition to that of probably the most terrifying creatures in the Universe. So that he can defeat Cobra’s military and help save his own Commander from this chilling fate, G.I. Joe must summon all of his scientific and heroic skills.

Observing the 40th anniversary of the G.I. Joe character, the DVD features plenty of special features for his loyal fans, such as a trading card game guide, a CD-ROM game and a behind-the-scenes glimpse of the movie’s creation.

You may also scroll through character profiles, groove with a Valor vs. Venom music video and look for a drawing board-to-film comparison.

If you’re doing the math, G.I. Joe debuted in 1964 as an 11 1/2- inch doll for boys which had 21 moving parts. Following the motion picture “The Story of G.I. Joe” was released, he became the world’s very first “action figure.”

As the character’s challenges usually dealt with the evil Cobra Commander, G.I. Joe was also called upon in 1992 to assist the Drug Elimination Force combat the increasing drug problem. In-school programs were launched utilizing the character to instruct kids in regards to the risks of drug use.

Filled with history, in addition to important lessons for kids of all ages, G.I. Joe has continued to reinvent and modernize himself through the years, without losing sight of his main mission – to safeguard the world from evil.

You can now get hold of this timeless character in “G.I. Joe: Valor vs. Venom” to share with future fans of the ever-evolving G.I. Joe, who is still up for the challenge of educating the young and old. In stores now, “G.I. Joe: Valor vs. Venom” is rated PG. Enjoy!

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Most iPods, besides their music features, offer good quality video capabilities; it’s one of the reasons they are one of the most versatile gadgets available on the market. We all enjoy watching movies to relax and unwind, so why wouldn’t you convert your personal DVDs to the iPod format and watch them whenever you want, wherever you might be?

Transferring your DVD movies to play on your iPod, iPhone, Touch, or Nano can be easy, or in some cases, time intensive and hard. There are lots of iPod converters readily available, but only a few are worth purchasing: several are extremely high-priced, some take time and effort to use, and most aren’t reliable (they mess up audio and/or image, or they can’t convert brand new motion pictures). A good iPod converter must fulfill the following conditions:

1. User friendly interface – this software has to be easy to use.

2. Quick encoding – the software must have the ability to encode fast so the entire process is going to be finished fast.

3. Flexible – the Converter should be able to output video for all iPod Video formats: Classic, Nano, Touch, and iPhone.

4. Top quality – the converted motion picture must offer outstanding audio and picture quality.

5. Malfunction Processing – the computer program has to be able to repair any problems that appear through the converting process.

6. Features – the computer program will need to have popular options implemented, for instance image quality, subtitles, different languages, etc.

It is helpful if the program has a tutorial/help section where the user can learn how to capitalize on additional features. Another important thing regarding conversion from a DVD to an iPod is the ability to zoom from widescreen to full screen. An excellent converter should have this feature implemented so that you can allow for a clean transition.

This software should allow inexperienced in addition to advanced users a satisfactory experience. For novice users, a good converter should have an option for automatically adjusting settings to achieve the very best results. For advanced users, there should be a chance to manually adjust a wide variety of parameters. A good iPod converter must also allow converting from both NTSC and PAL DVD movies.

Exceptional iPod converters are available for around $40.00, and they’ll do everything, and often more, than a few of the more expensive programs. You can try and go the inexpensive route, using 2 or 3 free programs in combination (Videora, DVD Shrink, Handbrake, etc.), but I found that the free programs involved a large number of steps, produced mixed results, and would not convert many new DVD movies (those produced over the past four years). Don’t misunderstand me, I’m a thrifty guy, and if there’s a cheap way to do things, I’m usually on-board, but in this case, the hassle just was not worth it. The advantages provided by an excellent converting program far outweighed the trial and error hassles I found using outdated free applications.

Converting your DVD films to play on your iPod enables one to enjoy their favorite films and T.V. programs while on the bus or subway, on airplanes or long drives, or anytime you’ve got a few free moments. DVD conversion software programs are getting increasingly popular, as they facilitate the perfect transition from the big screen to the little screen.

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I’d seen a poster referring to the most recent, scary film around. It showed a drill going into the mouth of a poor guy sitting in some type of torture chamber. Just by viewing the scene on the poster it seemed really terrifying and difficult to think about, would I dare to see the movie?… The response was “yes”. Lately, for whatever reason, I’ve been in the mood of seeing scary, bloody, movies. Perhaps it is because lately Hollywood has seemed to be in the mood also, just count how many scary films have been established going back three years and you’ll realize they’ve been lots of, they have been… a lot.

But coming back to Hostel; I decided to go and see how frightening this “new scary” movie really was. The theater was not totally full, but there was many more people than I thought, somehow the movie trailers had attracted a large audience. After a scene that seemed obtained from a deep hell’s dungeon with a dirty man cleaning the gray floors of the torture room, the beginning of the movie showed us several guys, two American students and a man from an Island inside some kind of club in Amsterdam, doing what most tourists do in that popular European port. After a few scenes in those clubs, including the leaving behind of the sensual services of a stunning blond by one of the American guys, they arrive to their hostel only to learn the door is locked and they would have to wait outside until dawn to regain entry to their room. But after an incident with the neighbors they find help along with a roof for their heads that night thanks to the good manners of a strange guy that invites them to his room. Again the scenes of drugs and sex are present all around, I wonder if everything in Amsterdam is actually sex and drugs, truly I doubt it.

This strange guy has a secret he wants to share with his new friends. If they would like to spend a really good time with all the pleasure and excitement women can give they may be in the wrong place, they ought to go East. There’s a town in Eastern Europe where beautiful women abound plus they are willing to spend their time and senses with you. Obviously he sparks the curiosity of these young men and they eagerly ask for directions. He carelessly gives them the address of a very special hostel, where they will find all those amenities. Once morning arrives they’re on the road, let’s better say, on the rails.

They travel by train since many Europeans do and everything goes fine with the exception of an incident that introduces us to one of many characters of the movie. He is a business person who travels in the same cabin and that happens to be heading to the same location they are going. He is a man that appears to be in his sixties and he shows to the world a tranquil appearance; though there’s something that makes the audience to doubt his intentions. Particularly following a shameful incident that forces him to depart the cabin.

Some time afterwards our three adventurous men have arrived to their destination. It’s a standard Eastern European small town packed with charming old houses and brick streets. As they approach the address they were given by that strange guy back in Amsterdam the expectation of the fun ahead lets them have the very best of moods. Now they are inside the Hostel, they are asked for their passports and then they’re assigned to their room.

They find the first surprise of the trip after they have moved into their room, they gladly realize they’ll be sharing the room with two stunning ladies that seem to be perfectly alright standing unclothed in their presence. All appears to be according their expectations of the so strongly recommended town. They spend the night at one of the clubs, go home with the women but suddenly, as an army of dark clouds in the sky, everything that seemed so perfect starts to reconfigure into a type of a nightmare.

Oli, the guy from the Island, has vanished without a trace after leaving with one woman they met in the club. Paxton and Josh prefer to believe that he left without warning instead of contemplating something bad happening to him. They try to return to the great times at the club with their girlfriends but things go wrong again. Josh starts feeling ill and leaves the club. He barely makes it to the Hostel where they are waiting for him. Scene by scene we begin to realize there something very wrong happening in that town. Specifically when the head of Oli appears on screen that has a scene from the hell dungeon.

At this point is Josh’s turn, he’ll meet with his friend from the train again, Jan Vlask. However it won’t be at the club flanked by beautiful women. Now he will be his merciless torturer within the chambers of that horror land. The movie shows how Vlask satisfies his instincts and frustrated vocation as a surgeon by cutting Josh’s body at will with the movements and calm of a very vicious butcher.

There is only Paxton left; there was something within the drink he took and he has fallen asleep in the restroom at the club saving his life for the moment. Things are confusing, people have left; even their girlfriends are gone and nobody knows about Josh. He goes to the police but they just take the case nominally, later we’d learn they are also a slab in the horror chain of the savage town.

Walking among the streets Paxton passes by his ex-girlfriend who looks nothing like the nights before, she is changed and there are no more kisses. He asks her about his friends and after some thought she concedes to take him where they are. They take a taxi and follow a road that takes them to an old factory building that appears to be only ruins. But there’s something greater than ruins inside, the building is a home of human misery.

There are actually men throughout, some coming into others leaving, always protected by escorts. It is a gathering of multimillionaires for the most cruel of the games. Human hunting and torturing as a way of excitement and relaxation for the powerful. Paxton passes through the chambers where the most despicable acts are now being performed; and suddenly he realizes he’s fallen in the trap. They have paid $50 grand for him, the price of an American man ready to be hunted.

After cutting off three fingers and being tortured by a threatening short and bald man. Paxton manages to escape thanks to the lack of experience of his torturer. Nevertheless he would still need to evade all of the guards surrounding the installation before he is able to be free….there are still many horrors ahead for Paxton… I won’t tell you the end…you go and enjoy it yourself.

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Those yellow, cartoon phenomenons have finally made their way to the silver screen and yes it only took eighteen years. So does the cartoon movie meet the hilarity of the television show? Keep reading and find out – doh!

The town of Springfield’s lake is overly polluted and socially conscious Lisa Simpson (Yeardley Smith) rallies this town to clean it up. Her dad Homer (Dan Castellaneta) saves a pig from being slaughtered after it’s used as a prop in a Krusty the Clown commercial and begins to treat it just like the son he always wanted.

This doesn’t set well with Bart (Nancy Cartwright) who finds that Mr. Flanders (Harry Shearer) is a more caring father than his pig loving one. Homer’s new oinking child does what pig’s do and Homer puts the outcomes in a huge silo within the backyard (well, Homer did put a bit of himself in the job). His wife Marge (Julie Kavner) tells him to eliminate the silo of pig waste.

Homer does indeed, not surprisingly, by dumping it on Lake Springfield. This infusion of pollution causes the EPA to become alerted about the situation. They react in their normal restrained manner – the director Russ Cargill (Albert Brooks) orders a huge glass dome cover the town.

The Simpsons ultimately find themselves outside the dome and Homer decides to take off rather than help his neighbors (especially given that they formed an angry mob against him when they learned that it was his silo that pushed the lake beyond the limit). He takes the family to Alaska and start over again, but the rest of the household thinks they ought to return and save Springfield.

The Simpsons have been a tv hit since they started airing in 1989. There’s been rumors that creator Matt Groening should bring his jaundiced creations to the big screen. He’s seemingly been happy on television however it has finally come to pass and the results are entertaining.

The film does play just like a bigger and extended episode of the television show. It has some entertaining commentary on society as well as just outright wacky comedy. One bit of commentary has the church folk running to Moe’s bar and the bar patrons running to church as the giant dome of doom is placed on the community.

We also have an extended Bart dare as he skateboards naked down to the Krusty Burger. Not to mention the “Spider Pig” song that my kids would sing during the theatrical trailer.

Where this disc lets down just a little is not in the content of the film but in the special feature department. It feels really rather light and you keep thinking that a more expansive special edition will be in the works somewhere down the line – doh!.

The Simpsons is presented in anamorphic widescreen (2.35:1) and it is enhanced for 16×9 televisions. A fullscreen version is available independently. Special features include two commentary tracks.

The first features writer/creator Matt Groening, writer/producer James L. Brooks, writer/producer Al Jean, writer/producer Mike Scully, director David Silverman, Yeardley Smith, and Dan Castellaneta, and also the second one includes director Silverman, and sequence directors Mike B. Anderson, Steven Dean Moore and Rich Moore.

You will find 5 minutes of deleted scenes introduced by Al Jean. The “Special Stuff” section has 3 minutes of Simpsons appearances on the Tonight Show, American Idol, and a parody of the “Let’s all go to the Lobby” concession stand spiel. That is it. Seems pretty light in my experience.

The movie is entertaining, but the extra features feel like a bit of a letdown so far as deleted scenes go, the commentaries are top notch. It’s well worth it for the movie. I must knock it down a little because it could have been a bigger set (and i believe will probably be somewhere down the line).

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As an independent filmmaker specializing in animated comedy, Let me discuss my thoughts and observations on how to create projects meant to get people to laugh (in a good way). By taking a close look at current popular shows and movies (i.e. Simpsons, Family Guy, Shrek, etc) I’ve outlined a short analysis that identifies some of the major techniques of humor used in a lot of today’s animated television programs and shows, along with the advantages/disadvantages of applying them. Just a note before we continue: this article is not intended only as a guide for comedy filmmakers- I’m sure people who appreciate good humor are certain to get something from it as well.

The following compilation is the result of my own observations, and i’m certain you’ll see the reason if you take a closer inspection this Sunday night when Family Guy comes on. Later, I will share some of my own, personal thoughts on the subject of producing effective humor for mainstream audiences.

1. PARODY: This calls for poking fun of well-known genres and plot formulas (action, horror, porn, etc), and making references to well-known films, TV shows, celebrities, significant historical events, etc. Very often, these genres, films, and TV shows are spoofed. Think of the number of times you’ve seen a reference to a Kubrick film during an episode of The Simpsons, or a Star Wars reference in Family Guy to emphasize a joke.

Benefits: First off, it’s easy to do and frequently elicits laughs. The fundamental structure of the joke is based on a well-known source, and the audience will probably get it right away.

Drawbacks: Being blunt, it’s lazy filmmaking. An excessive amount of parody thrown in a story is often interpreted as deficiencies in creativity/originality, and ultimately limits the project’s depth. Jokes/gags of this kind will only last as long as the spoofed or referenced subject is popular or is fashionable.

2. ANIMATION That’s DELIBERATELY BAD/CHEESY: Includes using poorly drawn/animated characters and backgrounds as an important component of the humor.

Advantages: Sometimes more effective and more cost effective than using more descriptive animation techniques. It’s funny to watch and calling some attention to the bad animation can generate new jokes and great sight gags. Think of shows like Aqua Teen Hunger Force and Sealab 2021.

Down sides: Similar to the parody, this can quickly develop into lazy filmmaking. Depending only on bad animation for laughs might make the project challenging to maintain over time.

3. GROSS-OUT HUMOR/EXPLICIT LANGUAGE: Includes humor that’s, but not limited to being scatological, sexual, bloody, etc. Also includes utilization of foul language. Because the Simpsons and South Park, audiences have come to expect jokes of this kind.

Positive aspects: In small doses and when done with subtlety, gross-out humor and the use of explicit language combined with visual sight gags may be hilarious.

Downside: Easy to overuse. Dialogue containing too many four-letter words with regard to being obnoxious will turn off most viewers. Gross-out humor, if only employed for shock value, will seem shallow if it does nothing to contribute to the overall story.

4. NON-SEQUITORS (RANDOM HUMOR): Jokes, statements, events, etc. that happen out of nowhere. Advantages: Absurd humor occurring at random works on several levels, which include the outrageousness of the act itself, its unpredictability, as well as its general disregard for logic in context with the scene’s apparent focus. It will take an audience by surprise, and may add some originality to the project.

Drawbacks: If an ridiculous and random act suddenly shifts the main objective of the story, it may disappoint viewers who have otherwise been engaged in the narrative. Also, many individuals may not “get it,” which has the potential of restricting the viewing demographic. Whenever a nonsequitor serves as a story’s conclusion, it’s usually proof of an inability to create an effective ending.

Characters along with distinctive qualities: Attempting to be original isn’t easy, but it is a lot of fun. When creating characters, don’t be concerned too much about whatever’s “hip” or “in” at the moment. Start off with characters that have very specific character traits, habits, etc. Base them off yourself, off of people you know, your experiences, or just let your imagination go wild. Give your characters specific hobbies, unusual interests (i.e. a hero that can’t resist objects that squirt water), and/or specific likes/dislikes. These concrete qualities will often provide opportunities to develop character, storylines, and especially, humorous events.

Stories with solid conclusions: Many creative folks I have talked to notice the problem of coming up with good endings. Regardless of what the genre, filmmakers of all sorts can learn a valuable lesson from mystery novel authors. When generate the idea for a film, start with understanding how it will end. This provides the story focus, and makes it easier for all your events to realistically pan out. Another significant tip to remember- audiences will typically forgive a movie with a bad beginning, but won’t ever forgive a film with a bad ending.

Understand that being funny isn’t the same as acting funny: Okay, exactly what does this imply? Here’s an example: There was a video on the web of a careless skateboarder falling on his face multiple times after attempting to coast off the roof of his parents’ house. It was not funny for the skateboarder, but it was funny to most people who saw it happen. Why? On a psychological level, it is in our nature to laugh or take some type of satisfaction in someone else’s misfortune/failure so long as the screw-up does not bring about death or dismemberment (most of the time). On a more practical level, most of the online viewers laughed at the sheer idiocy of the act. After all, the careless skateboarder who plunged off the roof actually expected positive results from his stunt. So how should we apply this to making comedy? Create situations that are funny to the audience, although not to your characters. One effective way of doing this is having your characters expect serious results from doing things that are clearly dangerous, stupid, or both.

These are just a few pointers that will help you get started with creating your own comedy, or to help you understand a few of the more successful comedy out there today. I hope you enjoyed the article. Have a good laugh!

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